Choreographer and performer Yvonne Rainer uses traditional images of women to portray the inner life of a dissatisfied and angry woman.
Emerging from the New York avant-garde scene, and questioning the relationship between audience and performer, as she had done in her dance works, Rainer's second feature offers a provocative insight into early 1970s feminism.
1974, 90 minutes, Cert. TBC
Curated and introduced by Ian Christie, Birkbeck College, University of London.