The exhibition will introduce visitors to eight real people who were mummified in ancient Egypt and Sudan. Using the latest technology to understand the mummies, the exhibition will unlock hidden secrets to build up a picture of their lives in the Nile Valley over a remarkable 4,000 years – from prehistoric Egypt to Christian Sudan. From a priest’s daughter to a temple singer, a man of high status to a child, a temple doorkeeper to a woman with a Christian tattoo, visitors will find out how they lived and how they died, unravel the mysteries of mummification and piece together a world that has been lost for centuries. Visitors will discover that underneath all the apparent differences, we all share a remarkable common humanity.
Sponsored by Julius Baer. Technology partner Samsung.
Please note: tickets for the same day are only available to purchase at the Ticket Desk in the Museum and are not available to purchase online or by telephone.
Image:Mummy of a priest's daughter named Tamut in a painted case, and CT scan of the same mummy. From Thebes, Egypt, 22nd Dynasty, c. 900 BC.
26 March - 05 July 2015 Sainsbury Exhibitions Gallery £16.50, Members/under 16s free
Experience the brilliance and diversity of ancient Greek art in this major exhibition focusing on the human body.
For centuries the ancient Greeks experimented with ways of representing the human body, both as an object of beauty and a bearer of meaning. The remarkable works of art in the exhibition range from abstract simplicity of prehistoric figurines to breathtaking realism in the age of Alexander the Great. These works continued to inspire artists for hundreds of years, giving form to thought and shaping our own perceptions of ourselves.
The exhibition features over 120 objects, including some of the most beautiful Greek sculpture to have survived from antiquity. In addition to iconic white marble statues, gaze upon exquisite terracottas, beautiful bronzes and fascinating vases that demonstrate the quality and inventiveness of ancient Greek art. Outstanding objects from the British Museum’s important collection will be shown alongside extraordinary loans from other world-class collections. For the first time in decades, a selection of the Parthenon sculptures will be displayed in the context of other great works of Greek art. Together these objects tell a visually impressive story of the human self.
Explore the human condition through ancient Greek eyes and see how everything in their world – sexual and social identity, gods, monsters and even natural phenomena – was portrayed in human form. Discover the significance of the British Museum’s Greek and Roman collection, and its importance as an integral part of a world story.
23 April - 2 August 2015 Room 35 £10, Members/under 16s free
Discover the remarkable story of one of the world’s oldest continuing cultures in this major exhibition.
The show will be the first major exhibition in the UK to present a history of Indigenous Australia through objects, and will celebrate the cultural strength and resilience of both Aboriginal peoples and Torres Strait Islanders. This culture has continued for over 60,000 years in diverse environments which range from lush rainforest and arid landscapes to inland rivers, islands, seas and urban areas today. Hundreds of different Indigenous groups live across this vast continent, each with their own defined areas, languages and traditions.
Indigenous Australians developed sustainable ways of living from the land and sea using objects of great beauty and efficiency. From the deadly precision of a boomerang to bags and baskets for carrying water and food – essential for survival – these objects require supreme skill to design and make. In the exhibition, examples of practical objects such as spear-throwers (the ‘Swiss Army knife of the desert’) will sit alongside magnificent works of art, such as Uta Uta Tjangala’s Yumari (1981) – a masterpiece now featured on the Australian passport. The oldest continuing art tradition in the world, Aboriginal art tells stories of the great ancestral beings who created the land and the people, and gave the law and lessons for living which still continue today.
In contrast, the objects from the Torres Strait Islands reflect the centrality of the sea and its creatures to the Islanders’ beliefs and way of life, including spectacular turtle-shell masks used in ceremonies before the arrival of Christian missionaries. Together, the objects in the exhibition will give an overview of Indigenous Australian culture throughout the continent, both remote and urban.
The exhibition features objects drawn from the British Museum’s unparalleled collection. Many of them were collected in the early colonial period (1770–1850), and have never been on public display before. There will also be important loans from Australian museums and specially commissioned artworks. Many Indigenous Australians have generously contributed to the exhibition, providing information, advice and permissions.
These objects represent the cultural continuity and resilience of these cultures since a British colony was established in Australia in 1788. The exhibition will allow you to explore the complex relationships Indigenous Australians have with the natural world and how they have responded to changing historical circumstances. It is a remarkable story of how an ancient civilisation has endured and whose story is still unfolding today.
10 September - 6 December 2015 Room 90 £8.00, Members/under 16s free Organised with the National Gallery of Art, Washington
Explore the development of the artistic technique of metalpoint from the Renaissance to the present, and discover how the technical challenge of the medium has inspired generations of artists.
This exhibition is a once-in-a-lifetime opportunity to see around 100 exceptional drawings created using the exquisite metalpoint technique. It features works by some of the greatest artists working from the 15th century to the present including Rogier van der Weyden, Petrus Christus, Leonardo da Vinci, Raphael, Albrecht Dürer, Hans Holbein the Elder, Lucas van Leyden, Rembrandt, Edward Burne-Jones, William Holman Hunt, Otto Dix, Jasper Johns and Bruce Nauman. Works drawn from the British Museum’s superb collection of metalpoint drawings sit alongside major loans from European and American museums as well as private collections, including four sheets by Leonardo da Vinci from the Royal Collection.
Metalpoint is a drawing technique where the artist uses a metal stylus, usually made of silver, on an abrasive preparation so that traces of the metal are left on the surface, resulting in a visible drawing. The fine point allows for precise lines so that stunningly detailed drawings can be achieved. Metalpoint lines cannot be easily erased and the artist needs to carefully plan the design or run the risk of having to start all over again. In the hands of the greatest artists metalpoint could also be used more freely for creating rapid sketches.
The exhibition is the first to explore the development of metalpoint through five centuries and showcases the great variety of artistic styles it has encompassed. During the Renaissance metalpoint became popular both north and south of the Alps before cheaper graphite replaced it from around 1550. In northern Europe metalpoint continued to be used in preparation for prints or in travel sketchbooks. From the late 17th century the technique was virtually forgotten until the 19th century when the admiration for Renaissance art sparked its renewed use. The exploration of the medium continues to this day, both in Europe and the USA.
Such a glittering array of metalpoint drawings by the greatest masters of this technique has never been assembled before, and this exhibition presents a unique opportunity to view such a large collection of masterpieces using this intriguing technique.